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Pantomimes: The Heartbeat of the Show with Songs

  • Writer: The Panto Jukebox
    The Panto Jukebox
  • Jul 14
  • 5 min read

Updated: Aug 5

Understanding the Role of Songs in Pantomimes


Pantomimes are vibrant and lively performances that captivate audiences with their unique blend of storytelling and music. Songs play a crucial role in these productions, enhancing the narrative and engaging the audience. There is no strict limit to the number of songs in a panto, but balance is key. Typically, 10 to 12 songs are ideal. Exceeding this number may lead to audience fatigue.


The Importance of Song Placement


In every pantomime, there are four significant moments where songs are almost always included. These moments are:


  1. The opening of the first ‘big’ scene.

  2. The final moments before the interval.

  3. Immediately after the interval.

  4. The finale, known as the walkdown, where the cast takes their bows.


These songs are essential, while additional songs can be strategically placed throughout the performance to suit the story. Each song should serve a purpose, moving the plot forward rather than acting as mere filler. An engaged audience is a happy audience!


This article provides an overview of the various types of songs you might encounter in a pantomime. Besides the ‘big four,’ there is no fixed formula for song placement in the script. Use this guide to help structure your show effectively.


Types of Songs in Pantomimes


The Opening Number


The opening number is typically an upbeat and lively affair. It features the chorus and key characters, setting an optimistic tone for the story. The lyrics often express sentiments like "it's a beautiful day" or "I'm up early." Sometimes, the opening number highlights a problem the characters face, such as high taxes or a rat infestation.


The ‘We Just Met’ Song


Following the opening, a duet often occurs between the principal boy and girl as they meet for the first time. This song could be a love ballad or an upbeat tune like "Start of Something New" or "Call Me Maybe." It may take place in the first scene or in a more intimate setting, such as a clearing in the woods.


The Comic Number


The comic character, often referred to as the ‘Silly Billy,’ shines in this number, supported by the chorus. The song typically revolves around a trait of the comic, such as Idle Jack's "The Boy Does Nothing." It may also feature Buttons, who might sing about his love for Cinderella or the tasks he needs to complete.


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The Dame Song


This glamorous number showcases the Dame's character, often accompanied by a big band track. The song typically narrates her search for love or wealth, embellished with over-the-top support from the chorus.


The Transformation


The transformation number is a magical moment in any pantomime. It marks a pivotal change for the principal character. For instance, in Cinderella, the Fairy Godmother transforms the mice and pumpkin into a coach and horses. In Jack and the Beanstalk, the beanstalk grows dramatically. This segment usually combines song and instrumental music, allowing the audience to focus on the action.


The Act 1 Finale


The Act 1 finale is the second of the ‘big four’ songs. It is story-driven and summarizes the plot's progression while hinting at what may come next. This number often follows the transformation sequence. For example, it could depict the Genie appearing to Aladdin or a tender moment between Beauty and the Beast. The song typically concludes with a grand finish before the curtain falls for the interval, prompting audience members to rush to the bar.


The Act 2 Opener


The opening song after the interval is crucial for re-engaging the audience. It is usually an upbeat number featuring most of the chorus and principal characters. The subject matter can vary widely, from a villain's lair to a festive ball, offering endless possibilities.


The Baddie Song


While not present in every pantomime, the baddie song gives the villain a chance to unveil their nefarious plans. This number is often found in Act 2 and can serve as the Act 2 opener. The villain may perform a solo or engage in a larger production number with the chorus, portraying minions like a plague of rats or a band of pirates. In Cinderella, the Ugly Sisters often take center stage to boast about their beauty.


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The Ghost Gag


A staple in pantomimes, the ghost gag features a short, simple song sung by a group of principals who are frightened or waiting for something. They sing to "keep our spirits up." This song is usually a well-known tune, such as "The Bear Went Over the Mountain," and is repeated as characters are scared away by a ghost or monster. Check out our suggestions for a great ghost gag number.


The Love Ballad


As the name suggests, the love ballad is often the most romantic part of the show. Typically a duet between the principal girl and boy, this number may also feature a solo performance, expressing longing across distances. A well-known power ballad works well in this context. The love ballad usually occurs in Act 2, often during a moment of tension or intimacy.


The Song Sheet


The audience participation segment! Similar to the ghost gag, this is a short, easy song that the audience can join in on, usually led by the comic and the Dame, complete with actions. Lyrics are often projected or displayed on the set. This type of song is typically performed in the penultimate scene, allowing for a seamless transition into the finale. The comic and the Dame often turn this into a competition, inviting children from the audience to join them on stage. A simple four-line song that summarizes the story or relates to it works best. While some companies create original songs, a well-known children's song can also fit well if tied to the narrative. Many scripts come with song sheet music and lyrics ready to go.


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The Finale


The finale is always a grand production number featuring the entire cast. It often includes an extended instrumental section for the ‘walkdown’ where everyone takes their bow. Upbeat songs like "You Can't Stop The Beat" from Hairspray are excellent choices for this moment. Discover our rundown of the best panto finale numbers to find something that will leave your audience buzzing with excitement.


Reprises


A reprise is a brief segment of a song that is repeated later in the performance to reinforce its message. For instance, you might include a reprise of the baddie number after an evil deed has been committed. Reprises are typically shorter than the original song, often featuring just the final chorus. While they usually involve the original performers, they can also include others for a more dynamic conclusion to a scene.


Now that you know all about panto songs, take a look at our panto song ideas to suit every scene.


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